Making Shri Yantra

Sri Suktam - Rig Veda Hymn with English subtitles - Mahalakshmi - Godde...

The hymns are found in the Rig Vedic khilanis, which are appendixes to the Rig veda and date to pre-Buddhist times. Reciting the Sri Suktam brings prosperity peace, and all-round abundance. It is widely believed that recitation of this powerful stotra bestows unfailing power to the character and personality of those who recite it, to their general well being and to those whom they influence. Mahalakshmi is prosperity, wealth of life. Wealth of life is not limited to money, gold or silver. All forms of happiness, satisfaction, abundance and position in society are due to Mahalakshmi. Any form of superior grandeur, greatness and glory is due to Mahalakshmi. The Sri Sukta is one of the Pancha Suktam (5 Suktams) recited during the 3-hour long Abhishek of Lord Sri Venkateswara, at the famed ancient Hill Shrine of the Tirumala Venkateswara Temple in Andhra Pradesh, India. The Abhishekam to the main deity is performed every Friday.

Child in the Womb Revealed by the Vedas

Śrīmad-Bhāgavatam 3.31 tells the true story of the child in the womb. The fetus in the womb is in a terrible suffering condition. Forget what you have been told about it; the Vedic scriptures like Śrīmad-Bhāgavatam tell us the real truth. This is verified by research in intensive regression therapy when people re-experience their prenatal traumas

Purusha Suktam - the Source of all - know the essence of the Vedas

The hymns are found originally in the Rig Veda, later, it is seen in the Shukla Yajur Veda, the Krishna Yajur Veda, the Sama Veda, and the Atharvana Veda, with some modifications and redactions. Since the Purusha Suktam is seen in all Vedas, it is cited as the essence of all Srutis by Veda Vyasa in the Mahabharata. Saunaka, Apastamba, and Bodhayana have also written concerning the power of the Purusha Suktam No Vedic Yagna is performed without the chanting of the Purusha Suktha. Purusha is the source of all creation. The Suktham describes this form of his, as having countless heads, eyes, legs, manifested everywhere, and beyond the scope of any limited method of comprehension. All creation is but a part of him. The Suktham describes the creative process in the universe and the oneness in all.

Mantra with English sub-titles Mantra Pushpam Yajur Veda Chant for Se...

Hymn with English subtitles- Aditya Hrudayam - Powerful Mantra from Rama...

Aditya Hridayam, or Aditya Hrdaya, is a hymn dedicated to Lord Surya (Sun God) in Valmiki Ramayana. It has 31 verses and is found in the 107th chapter of Yuddha Kanda of Ramayan. It was narrated to Lord Rama by Sage Agastya to energize him in the battle against Ravana. Thatho yudha parisrantham samare chinthaya sthitham, Ravanam chagratho drushtwa yudhaya samupasthitham. 1 Daivathischa samagamya drushtu mabhya gatho ranam, Upagamyabraveed ramam Agasthyo Bhagawan rishi. 2 Rama rama maha baho srunu guhyam sanathanam, Yena sarvaanareen vatsa samare vijayishyasi. 3 Adithya hrudayam punyam, sarva sathru vinasanam, Jayavaham japen nithyam akshayyam paramam shubham. 4 Sarva mangala mangalyam, sarva papa pranasanam, Chinthasoka prasamanam, ayur vardhanamuthamam. 5 Rasmi mantham samudhyantham devasura namaskrutham, Poojayaswa vivaswantham bhaskaram bhuvaneshwaram. 6 Sarva devathmako hyesha tejaswai rasmi bhavana, Esha devasura ganan lokan pathi gabasthibhi. 7 Esha brahma cha Vishnuscha Shiva skanda prajapathi, Mahendro, dhandha kalo yama somo hyapam pathi. 8 Pitharo vasava sadhya hyaswinou marutho, manu, Vayur vahni praja prana ruthu hartha prabhakara. 9 Adithya savitha soorya khaga poosha gabasthiman, Suvarna sadrusa bhanu, hiranya retha divakara. 10 Haridaswa sahasrarchi saptha sapthir mareechiman, Thimironmadhana shambhu thwashtwa marthanda amsuman. 11 Hiranya garbha shisira thapano bhaskaro ravi, Agni garbha adithe puthra sanka shisira nasana. 12 Vyomanadha sthamobhedi rig yajur sama paraga, Ghana vrushtirapam mithro vindhya veedhi plavangama. 13 Aathapee mandali mruthyu pingala sarva thapana, Kavir viswo maha thejaa raktha sarvodbhava. 14 Nakshtra gruha tharanam adhipo, viswa bhaavana, Thejasam aphi thejaswi dwadasathman namosththe. 15 Nama poorvaya giraye, paschimaya draye nama, Jyothirgananam pathaye dhinadhipathaye nama. 16 Jayaya jaya bhadraya haryaswaya namo nama, Namo nama sahasramso Adithyaya namo nama. 17 Nama ugraya veeraya sarangaya namo nama, Nama padma prabhodaya, marthandaya namo nama. 18 Brhamesanachuthesaya sooryadhithya varchase, Bhaswathe sarva bhakshaya roudraya vapushe nama 19 Thmognaya himagnaya sathrugnaya amithathmane, Kruthagnagnaya devaya jyothisham pathaye nama. 20 Taptha chamikarabhaya vahnaye viswa karmane, Namasthomabhinignaya ruchaye loka sakshine. 21 Naasa yatyesha vai bhootham tadeva srujathi prabha, Payathyesha thapathyesha varshatyesha gabhasthibhi. 22 Yesha suptheshu jagarthi bhootheshu parinishtitha, Yesha evagnihothram cha phalam chaivagnihothrinam. 23. Vedascha kradavaschaiva krathoonam phalameva cha, Yani kruthyani lokeshu sarva yesha ravi prabhu. 24 Yena mapathsu kruchreshu kanthareshu bhayeshu cha, Keerthayan Purusha kaschin aavaseedhathi raghava. 25 Poojaswaikegro deva devam jagat pathim, Ethath trigunitham japthwa yudeshu vijayishyasi. 26 Asmin kshane maha baaho ravanam thwam vadhishyasi, Evamukthwaa agasthyo jagam yada gatham. 27 Edath sruthwa maha theja nashta shoka abhavath thada, Dharayamasa supreetho raghava prayathathmavaan. 28 Adhithya prekshya japthwa thu param harsha mavapthavan, Thrirachamya suchir bhoothwa dhanuradhaaya veeryavaan. 29 Ravanam preshya hrushtathma yudhaya samupagamath, Sarva yathnena mahatha vadhe thasya drutho bhavath. 30 Adharavira vadha nireekshya ramam, Mudhithamana paramam prahrushyamana, Nisicharapathi samkshyam vidhithwa, Sura gana Madhya gatho vachasthwarethi.

Samaveda Chanting - BrainMovie

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The Samaveda (Sanskrit from sāman "melody" + veda "knowledge" ), is second (in the usual order) of the four Vedas, the ancient core Hindu scriptures. Its earliest parts are believed to date from 1000 BC and it ranks next in sanctity and liturgical importance to the Rigveda. It consists of a collection of hymns, portions of hymns, and detached verses, all but 75 taken from the Rigveda, to be sung, using specifically indicated melodies called Samagana, by Udgatar priests at sacrifices in which the juice of the Soma plant, clarified and mixed with milk and other ingredients, is offered in libation to various deities.

The verses have been transposed and re-arranged, without reference to their original order, to suit the rituals in which they were to be employed. There are frequent variations from the text of the Rigveda that are in some cases glosses but in others offer an older pronunciation than that of the Rigveda. When sung the verses are further altered by prolongation, repetition and insertion of stray syllables, as well as various modulations, rests and other modifications prescribed in the song-books.

This is a 26 year old brain listening to the Samaveda chanting with his EYES CLOSED, notice how the visual cortex lights up even with the eyes closed. This is the first time anyone has looked at the brain while listening to the Samaveda chanting.

Red means activating, blue means deactivating